Harper, C. (2016) Land, cloth, body and culture. Discussion Paper. University of Portsmouth, Portsmouth.
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Abstract
The interweave of narrative, materiality and identity defines Catherine Harper’s intellectual and practice obsessions. Her visual, material, performic examination of Northern Irish womanhood, her investigation of both intersex and ‘anatomical drag’, and her concern with fabrics of death and desire, each demonstrate a preoccupation with trying to make sense of the complexities of land, cloth, body and culture.
Item Type: | Monographs (Discussion Paper) |
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Uncontrolled Keywords: | Ireland visual art |
Subjects: | H Social Sciences > HQ The family. Marriage. Women > HQ1101 Women. Feminism N Fine Arts > NK Decorative arts. Applied arts. Decoration and ornament > NK8800 Textiles |
Depositing User: | Debbie Bogard |
Date Deposited: | 25 Nov 2016 14:20 |
Last Modified: | 25 Nov 2016 14:20 |
URI: | https://eprints.chi.ac.uk/id/eprint/2201 |